CCR50 Campaign – Craft Recordings




Click here to watch official video for “Fortunate Son”
Click here for shots from the video
Click here to visit the online media kit

Los Angeles, CA – Craft Recordings proudly announces the 50th anniversary of America’s greatest rock band, Creedence Clearwater Revival. It was in the summertime half a century ago that CCR, a group that would reach sky-high success while retaining a resolutely rootsy, earthbound sound, released their debut album. This marked the beginning of an incredible legacy that was formed over just four years of unbridled creative output (1968-1972).

CCR‘s canon has become a staple in the Great American Songbook. Songs like “Bad Moon Rising,” “Down on the Corner,” “Have You Ever Seen the Rain,” “Proud Mary,” and “Up Around the Bend” have been ingrained into the pop-cultural consciousness—not just as classic rock staples, but as American standards.

As the United States speeds towards another anniversary of its own on July 4th, Craft is kicking off the CCR50 campaign by releasing an official music video (the first ever) for one of the band’s most enduring classics, “Fortunate Son,” a song as vital now as ever.

Beyond its anti-war sentiment, “Fortunate Son” is an anthem for the 99%ers, condensing a critique of elitism and class privilege into three simple, but powerfully defiant words: It Ain’t Me. Craft partnered with director Ben Fee (Band of Horses, The War on Drugs, The Lumineers, Aesop Rock) to give a whole new generation a visual entry point into the world of Creedence.

The song already has an undeniable place in history as one of the most visceral, attention-grabbing protest tunes of the Vietnam era. With the new video, Fee extends the reach of “Fortunate Son” even further. “For me, protest right now is just showing pure positivity in the face of division and anger.” Says Fee, “I wanted to highlight the community and positivity that everybody shares…I wanted to show what America feels like when you actually hit the road and drive throughout the states.”

Though the Vietnam war is decades away in the rearview mirror, the people CCR were speaking for in the song are still the heart and soul of America, and they’re still the underdog, facing a whole new set of challenges. So, Fee turned the video into a celebration of their indomitable spirit, giving viewers a glimpse of the broad array of characters comprising the patchwork that is our country at its core.

In spotlighting the diversity and unconquerable spirit of America’s so-called 99%, Fee created a concept as relevant to today’s world as it is to the original 1969 setting of “Fortunate Son. “I met so many beautiful people,” says Fee of the folks he shot for the video. “I went to the Taos Pueblo people, into their land, and met with the war chief, and they were very big fans of CCR. They were so welcoming because they knew the song and the band, and they really loved the idea of protest through positivity.”

Click here to watch the video.

Fee’s video road trip took him across the country, from Los Angeles to Miami and all points in between. The footage captures people across America of diverse ages, cultures, ethnic backgrounds and locations (including Florida, Louisiana, Texas, New Mexico, California, Washington and Hawaii) to document the true spirit that makes up the fabric of the United States, for which CCR have been the soundtrack for 50 years.

In addition to the video, the half-century celebration will continue in the coming months to fill out the CCR story even further. Craft will be honoring the band’s musical legacy via a diverse array of media, products and events; including a special release coming this fall. The fête will also provide fans with new ways to engage with CCR online–sharing their memories, streaming new content, and diving deeper into the band’s legendary history. Stay tuned to for more details, coming soon.

In the meantime, you can dig in to more from the Creedence Clearwater Revival catalog (and build your July 4th playlists) via Apple Music (click here for the Essentials) or Spotify (click here for This Is).

More about Creedence Clearwater Revival:
Creedence Clearwater Revival’s 1968 self-titled debut album introduced the world to guitar-playing brothers John and Tom Fogerty, drummer Doug Clifford, and bassist Stu Cook, four young men out of El Cerrito in the San Francisco Bay Area. Though they emerged in a place and time where trippy psychedelic visions were the order of the day, CCR bucked the trends and instead tapped into a rich, traditional seam of American music that connected to blues, country, rockabilly, gospel, folk and R&B.

While their contemporaries were unfurling mind-bending musical excursions with elaborate productions, Creedence crashed into the upper rungs of the album and singles charts with songs that wasted nary a note or word, overflowing with raw soul and unbridled energy. Although the band members were only together for four years under the Creedence Clearwater Revival appellation, they managed to accomplish more than many artists do in their entire career – they released 14 Top 10 hits, six Platinum albums, and one Gold in just four intensely prolific years, all powered by John Fogerty‘s gut-level growl, with Tom Fogerty, Stu Cook and Doug Clifford providing just the right kind of gritty, in-the-pocket punch to propel CCR‘s vision.

The band’s West Coast origins notwithstanding, Fogerty‘s voice contained echoes of everything from the Chicago blues bite of Howlin’ Wolf to the Alabama twang of Hank Williams and the Memphis swagger of Elvis Presley, creating an archetypal example of Americana decades before anybody ever thought of using that term to define a musical genre.

For all the indelible guitar hooks and commanding vocals the CCR catalog contains, their songs are more than catchy tunes you can’t resist singing along with when they come on the car radio. CCR was a people’s band in more ways than one; hand in hand with the accessibility that made their music relatable to just about everybody, there was a strong sense of identification with America’s common folks, the ones whose stories were told in the songs.

On tunes like “Born on the Bayou” and “Green River,” Creedence harnessed the sonic hoodoo of almost dangerously deep, “swamp rock” grooves to propel vivid New Orleans imagery. “Long As I Can See the Light” floats luminously with the kind of sanctified soul feel that we’ve come to expect only from the South. And the spry country two-step of “Lookin’ Out My Back Door” finds its feet in Nashville, at least in a spiritual sense. While CCR‘s signature song, “Proud Mary,” is a Southern-soaked riverboat travelogue, with stops in Memphis and the Crescent City.

Even some of the covers of Creedence‘s tunes have become part of history—Ike & Tina Turner’s sped-up, R&B-slathered 1971 recording of “Proud Mary” almost rivaled the original in popularity. And an astonishing array of artists, from Johnny Cash and Willie Nelson to R.E.M. and the Ramones, have recorded “Have You Ever Seen the Rain,” to home in on the reach of just one of their profusely covered songs.

The group also performed a historic headlining set at Woodstock, and toured the world before disbanding in 1972. CCR‘s music endures today – still in popular rotation on the radio, and heard regularly in films and TV shows. Having sold over 30 million albums in the U.S. alone, Creedence received a rare Diamond certification from the RIAA in 2016, marking 10 million units in sales for their 1976 compilation album, Chronicle: The 20 Greatest Hits.

The appeal of Creedence Clearwater Revival isn’t tied to any one era or milieu; whether it’s 50 years ago or 100 years from now, all you need is a pair of ears to pick up on their sound. As John Fogerty once sang on a certain 1969 hit single, “Over on the corner there’s a happy noise/People come from all around to watch the magic boys.”

About Craft Recordings:
Craft Recordings is home to one of the largest and most prestigious collections of master recordings and compositions in the world. Its rich and storied repertoire includes legendary artists such as R.E.M., Traveling Wilburys, Creedence Clearwater Revival, John Coltrane, Miles Davis, Otis Redding, Isaac Hayes, Little Richard, the Staple Singers, Thelonious Monk, Joan Baez, John Lee Hooker, Evanescence and Nine Inch Nails, to name just a few. Renowned label imprints with catalogs issued under the Craft banner include Concord, Fantasy, Rounder, Stax, Milestone, Prestige, Riverside, Specialty, Sugar Hill, Vanguard and Vee-Jay Records, among many others.

Craft creates thoughtfully curated and comprehensive packages, with a meticulous devotion to quality and a commitment to preservation, ensuring that these recordings endure for new generations to discover. Craft Recordings is the catalog division of Concord Music.

For more info, visit and follow on FacebookTwitterInstagram, YouTube, and Spotify.


For press enquiries, please contact Aaron Feterl:
For radio enquiries, please contact Ayappa Biddanda:




Los Angeles, CA – Craft Recordings is pleased to announce two special reissues from Creedence Clearwater Revival’s Doug Clifford and Tom Fogerty. The two helped make up CCR’s distinctive “chooglin’” rhythm section, roles that, along with John Fogerty and Stu Cook, earned them a place in the  Rock and Roll Hall of Fame. Besides being members of the Greatest American Rock Band, they each recorded solo albums. Tom Fogerty’s Excalibur and Doug Clifford’s Doug “Cosmo” Clifford were both originally released in 1972 and have been long out-of-print until now. These reissues, pressed on 180-gram vinyl from lacquers cut at Fantasy Studios by George Horn and Anne-Marie Suenram, are essential additions to the record collection of any Creedence aficionado.

Both LPs will be reissued on June 22, 2018 and are available now for pre-order:
Click here to preorder Tom Fogerty’s Excalibur.
Click here to preorder Doug Clifford’s Doug “Cosmo” Clifford.

A special bundle is also available via the Craft Recordings store, including a very limited number of LPs signed by Doug Clifford.

About Doug Clifford’s Doug “Cosmo” Clifford:
Doug Clifford is best known as the powerhouse drummer for legendary American rock band, Creedence Clearwater Revival. Clifford’s signature simple grooves and impeccable timing, as heard on CCR hits including “Fortunate Son,” “Born on the Bayou” and “Who’ll Stop the Rain,” have proven to be timeless and influential on future generations of Americana and roots rock drummers.

In 1972, Clifford recorded Doug “Cosmo” Clifford, his first and only solo outing and a fascinating artifact from the end of the Creedence era. This 11-track outing includes eight originals that range from country-infused R&B (“Take a Train”) to Latin rock (the aptly titled “Latin Music”) to CCR-style rockers (“Get Your Raise”). It also features rollicking covers of the Lovin’ Spoonful (“Daydream”), Doug Sahm (“She’s About a Mover”) and the Spencer Davis Group (“I’m a Man”).

Joining Clifford are Stu Cook on rhythm guitar, legendary sideman and Stax musician Donald “Duck” Dunn on bass, John McFee on lead guitar, background vocals from the Walter Hawkins Singers, and the Tower of Power horn section. “Making this record was a blast, because it was a superstar line-up,” recalls Clifford. “It was a collaboration to a large degree, I told everyone that I was open to any ideas they might have. That got everybody involved in the process. The camaraderie was great, there was no pressure and that got the best performances from everyone. We cut everything live so when the horns were playing we were a 10-piece band!” Doug Clifford’s rockabilly-style vocals imbue the songs with a nostalgic flair. Available for the first time in over 40 years, this album is newly remastered by Clifford himself, pressed on 180-gram vinyl and housed in an old-school, tip-on jacket.

The Doug “Cosmo” Clifford will also be available for the first time on streaming platforms, as well as Hi-Res 96/24 and 192/24 audio download.

About Tom Fogerty’s Excalibur:
Chiefly remembered as the rhythm guitarist and background vocalist for Creedence Clearwater Revival, Tom Fogerty (1941 – 1990) was born and raised in the Bay Area of California. He signed his first record deal at age 18 as frontman for a short-lived rock group called Spider Webb and the Insects (featuring Jeremy Levine of the Seeds). By the early ’60s, Fogerty had formed a group with his younger brother, John, plus bassist Stu Cook and drummer Doug Clifford; first performing as the Blue Velvets and later the Golliwogs before solidifying as CCR in 1968. He left Creedence in early 1971, about a year before the group disbanded, and set out on a solo career.

Tom Fogerty spent the rest of the ’70s and early ’80s focused on his solo work, releasing five albums under his own name (one of which, Zephyr National, includes appearances by all three of his former CCR bandmates) and three with his band, Ruby. Tom would record nine albums before his untimely passing at age 48.

Excalibur was his second solo effort, a melodic bluegrass and country affair that evidences many of the same influences heard in CCR’s signature “swamp rock” sound. Tom recruited his Fantasy Records peers Jerry Garcia (The Grateful Dead) and Merl Saunders to play guitar and keys, respectively, and their bluesy style well complements his bright vocals. Out of print for over 40 years, the album is cut from the original analog master, pressed on 180-gram vinyl, and housed in an old-school, tip-on jacket.

This reissue marks the first time Excalibur has been released on streaming platforms, as well as the first time it’s been available for Hi-Res 96/24 and 192/24 audio download. Also newly available on digital platforms, available June 22, are Tom Fogerty’s other solo titles; Tom Fogerty (originally released in 1972), Zephyr National (1974), Myopia (1974), and Deal It Out (1981).

A1: Latin Music
A2: Regret It (For the Rest of Your Life)
A3: Guitars, Drums and Girls
A4: I’m a Man
A5: She’s About a Mover
A6: I Just Want to Cry
B1: Get Your Raise
B2: Daydream
B3: Take a Train
B4: Death Machine
B5: Swingin’ in a Hammock

A1: Forty Years
A2: Black Jack Jenny
A3: Rocky Road Blues
A4: Faces, Places, People
A5: Get Funky
B1: Sick and Tired
B2: Sign of the Devil
B3: Straight and Narrow
B4: Next in Line
B5: (Hold On) Annie Mae


For press enquiries, please contact Aaron Feterl:
For radio enquiries, please contact Ayappa Biddanda: